Data privacy

Privacy policy

Responsible party pursuant to data protection laws, in particular the EU General Data Protection Regulation (GDPR), is

Nicola Beller Carbone

Your rights as the data subject

You can exercise the following rights at any time using the contact details of our data protection officer:

  • Information on your data stored by us and the processing thereof (Art. 15 GDPR),
  • Rectification of inaccurate personal data (Art. 16 GDPR),
  • Deletion of your data stored by us (Art. 17 GDPR),
  • Restriction of the data processing, provided that we may not delete your data due to legal obligations (Art. 18 GDPR),
  • Objection to the processing of your data with us (Art. 21 GDPR) and
  • Data portability, provide that you have consented to the data processing or have entered into a contract with us (Art. 20 GDPR).

If you have given us consent, you may withdraw it at any time, which will remain in effect in the future.

You can contact a supervisory authority with a complaint at any time, e.g. the supervisory authority of the state of your residence or the authority that oversees us as the responsible party.

You’ll find a list of supervisory authorities (for the non-public area) with their respective addresses at: https://www.bfdi.bund.de/DE/Infothek/Anschriften_Links/anschriften_links-node.html.

Collecting general information during a visit to our website

Type and purpose of the processing

When you access our website – i.e. if you do not register or submit information – information of a general nature will be collected automatically. This information (server log files) contains the type of web browser, the operating system used, the domain name of your Internet service provider, your IP address and the like.

It is processed in particular for the following purposes:

  • Ensuring an unproblematic website connection
  • Ensuring seamless use of our website
  • Analysis of system security and stability as well as
  • For additional administrative purposes.

We will not use your data to draw conclusions about your person. This type of information will be statistically analysed by us if necessary to optimise our website and its underlying technology.

Legal basis

The processing occurs according to Art. 6 Para. 1 (f) GDPR, based on our legitimate interest in improving the stability and functionality of our website.

Recipients

Recipients of the data may be technical service providers, who work on the operation and maintenance of our website as the processor.

Retention period

The data will be deleted as soon as they are no longer required for the reason they were collected. This is generally the case, after the respective session has ended, for data that are used to make the website available.

Mandatory or required provision

The provision of the aforementioned personal data is neither legally nor contractually mandatory. Without the IP address however, the service and functionality of our website are not guaranteed. Furthermore, individual services can be unavailable or limited. For this reason, an objection is excluded.

Using Google Analytics

Type and purpose of the processing

This website uses Google Analytics, a web analytics service of Google LLC, 1600 Amphitheater Parkway, Mountain View, CA 94043 USA (hereinafter: ‘Google’). Google Analytics uses so-called ‘cookies’, i.e. text files that are stored on your computer and allow an analysis of your use of the website. The information generated by the cookie about your use of this website is typically transmitted to a Google server in the U.S. and stored there. However, due to the activation of IP anonymisation on these websites, your IP address will be truncated beforehand by Google within the member states of the European Union or in other contracting states of the Agreement on the European Economic Area. Only in exceptional cases will the full IP address be sent to a Google server in the U.S. and truncated there. On behalf of the operator of this website, Google will use this information to evaluate your use of the website, summarise reports on website activities and provide other services related to website and Internet usage to the website operator. The IP address transferred from your browser as part of Google Analytics will not be combined with other data from Google.

The data processing purposes are the website-use analysis and the summary of reports on activities on the website. Based on the use of the website and the Internet, other related services will be provided.

Legal basis

The processing of the data occurs on the basis of the user’s consent (Art. 6 Para. 1 (a) GDPR).

Recipients

The recipient of the data is Google as the processor. For this, we have entered into the corresponding data-processing contract with Google.

Retention period

The deletion of the data occurs as soon as they are no longer necessary for our recording-keeping purposes.

Third country transfers

Google processes your data in the United States of America and is subject to the EU-U.S. Privacy Shield: https://www.privacyshield.gov/EU-US-Framework.

Mandatory or required provision

The provision of your personal data is voluntary, based solely on your consent. If you prevent access, this can lead to functional limitations on the website.

Revocation of consent

You can prevent the storage of cookies by a corresponding setting in your browser software; however, please note that in this case you may not be able to use all the functions of this website in their entirety. Furthermore, you can prevent the collected data generated by the cookie and the data related to your use of the website (including your IP address) being transmitted to Google, as well as the processing of this data by Google, by downloading and installing the browser plug-in available at the following link: browser add-on to deactivate Google Analytics.

In addition, or as an alternative to the browser add-on, you can prevent tracking by Google Analytics on our web pages by clicking this link, which will install an opt-out cookie on your device. This will prevent data collection by Google Analytics for this website and for this browser in the future, as long as the cookie remains installed in your browser.

Profiling

With the assistance of the tracking tool Google Analytics, the browsing behaviour of the website visitors can be evaluated and their respective interests can be analysed. For this analysis, we create a pseudonymous user profile.

Embedded YouTube videos

Type and purpose of the processing

We embed YouTube videos on several of our websites. The operator of the respective plugins is YouTube, LLC, 901 Cherry Ave., San Bruno, CA 94066, USA (hereinafter ‘YouTube’). YouTube, LLC is a subsidiary of Google LLC, 1600 Amphitheater Pkwy, Mountain View, CA 94043, USA (hereinafter ‘Google’). When you visit a page with the YouTube plug-in, a connection to YouTube’s servers will be created, which tells YouTube which pages you visit. When you are logged into your YouTube account, YouTube can associate your browsing behaviour with you personally. You can prevent this by logging out of your YouTube account beforehand.

If a YouTube video is started, the provider uses cookies that collect information about user behaviour.

You will find additional information on the purpose and scope of the data collection and its processing by YouTube in the provider’s privacy policy, as well as additional information on your rights and setting options for protecting your privacy (https://policies.google.com/privacy). Google processes your data in the United States of America and is subject to the EU-U.S. Privacy Shield: https://www.privacyshield.gov/EU-US-Framework.

Legal basis

Your consent is the legal basis for the integration of YouTube and the associated data transfer to Google (Art. 6 Para. 1 (a GDPR).

Recipients

Visiting YouTube automatically triggers a connection to Google. .

Retention period and revocation of consent

Everyone who has disabled the storage of cookies for the Google ad programme will not have to expect any cookies when watching YouTube videos. However, YouTube also stores non-personal usage information in other cookies. If you would like to prevent this, you must block the storage of cookies in the browser.

You’ll find additional information on data protection at ‘YouTube’ in the provider’s privacy policy at: https://policies.google.com/privacy.

Third country transfers

Google processes your data in the United States of America and is subject to the EU-U.S. Privacy Shield: https://www.privacyshield.gov/EU-US-Framework.

Mandatory or required provision

The provision of your personal data is voluntary, based solely on your consent. If you prevent access, this can lead to functional limitations on the website.

Revision of our privacy policy

We reserve the right to amend this privacy policy so that it always complies with current legal requirements or to implement changes to our services in the privacy policy, e.g. when introducing new services. Your next visit will be subject to the new privacy policy.

Questions for the data protection officer

If you have any questions pertaining to data protection, please send us an e-mail or contact the person responsible for data protection in our organization:

The privacy policy was created via the activeMind AG privacy policy generator (Version: #2018-09-24).

“Nicola Beller Carbone si immedesima nella giovane Anna …. Tutto lo spettacolo fa leva sulle doti vocali e sulla recitazione brillante del soprano che canta, sospesa fra opera e cabaret, balla elegante e marcia statuaria fra un cambio di costume e un altro. Una performance esuberante che ci guida in questa breve saga di perdizione.”

Teatri Online, 19.3.2019 , Stefano L.Borgioli
Die sieben Todsünden, Kurt Weill
Staatstheater Wiesbaden 2019

„Die alles entscheidenden Partie der Anna, die für ihre Eltern und Brüder als Tänzerin in grossen Städten das Geld verdienen soll, findet in Nicola Beller Carbone dazu ideale Darstellung, chargierend zwischen Singen und Sprechen, gelenkig und gewandt in der Bewegung.“

FAZ, 4.März 2019, Guido Holze
Die sieben Todsünden, Kurt Weill
Staatstheater Wiesbaden 2019

“Aufs Ballett kann man verzichten, wenn man Annas multiple Persönlichkeit mit einer so multipel talentierten Künstlerin wie Nicola Beller Carbone besetzen kann. Sie bringt in ihre Partie Erfahrung in Kabarett und Tanz ein, lässt ihre Stimme zwischen Chanson und Oper changieren, schwingt elegant das Tanzbein oder mutiert zum Maschinen-Menschen.”

Main-Spitze, 4. März 2019, Volker Milch
Die sieben Todsünden, Kurt Weill
Staatstheater Wiesbaden 2019

«Elle a interprété «Vissi d’arte» avec sensibilité et conviction, d’une voix retenue, évitant le coté clinquant de l’aria…..Nicola Beller Carbone a été un modèle de présence dramatique et de justesse vocale»

Webtheatre.com, 23.9.2008, Jaime Estapà
Tosca,Giacomo Puccini
Opèra de Nantes

«Nicola Beller Carbone singt das nicht nur, sie lebt es mit allen Fasern eines jungen, schlanken, agilen Körpers, mit der Mimik einer görenhaften, verwöhnten, grausamen, verletzten, ungeliebten Kindfrau, der die stimmlichen Mittel wie selbstverständlich zu Gebote stehen…. Dem Straussschen Idealbild einer 16-Jährigen mit Isolde-Stimme kommt Nicola Beller Carbone jedenfalls denkbar nahe.»  

NZZ, 18.02.2009, Marianne Zeiger Vogt
Salome, Richrad Strauss
Oper Zürich

«Nicola Beller Carbone iluminó la fundamental parte aniñada de Salomé y mostró lo que hoy día es una artista completa bajo el aspecto de cantar y también de dar total credibilidad escénica a un personaje« 

Beckmesser, 19.9 2009, Gonzalo Alonso
Salome, Richard Strauss
Opera de Tenerife

«Nicola Beller Carbone encarnò una estupenda Francesca, rol de soprano-spinto con amplias demandas dramàticas. Segura y de bello color, su protagònica voz atravesò la espesa trama orquestal, rica armònica y timbricamente, resisitiendo sin evidenci de cansancio su extensa parte.»

La nacion, 28.10.2010
Francesca da Rimini, Riccardo Zandonai
Teatro Argentino La Plata

»Un fauve nommè Beller Carbone: D’une présence scénique aussi magnétique qu’électrisante, elle réussit à incarner, avec un naturel confondant, une héroïne glissant peu à peu de l’ingénuité la plus pure à l’animalité la plus féroce….. une articulation impeccable, une projection insolente – palliant largement sa carence en décibels – et enfin une raucité dans l’accent à vous glacer les sangs«

Forumopera.com, 25.2.2011, Emmanuel Andrieu
Salome, Richard Strauss
Opera de Montecarlo

»Lideró la soprano Nicola Beller Carbone, una Pepita de voz poderosa pero capaz de los más hermosos trazos líricos. La escena inicial “Do you remember la posicionó desde el comienzo como una gran intérprete, capaz de desplegar múltiples facetas y mantener el interés del público hasta el último compás.»

Tiempo de musica, November 2012, Ernesto Castagnino
Pepita Jimenez, Isaac Albeniz
Teatro Argentino La Plata

«Das Geheimnis der Liebe sei grösser als das Geheimnis des Todes, sagt Salome. Nicola Beller Carbone singt das nicht nur, sie lebt es mit allen Fasern eines jungen, schlanken, agilen Körpers, mit der Mimik einer görenhaften, verwöhnten, grausamen, verletzten, ungeliebten Kindfrau, der die stimmlichen Mittel wie selbstverständlich zu Gebote stehen. Mag es auch keine grosse Stimme sein: An Strahlkraft, Expressivität und Durchhaltevermögen fehlt es ihr nicht. Dem Straussschen Idealbild einer 16-Jährigen mit Isolde- Stimme kommt Nicola Beller Carbone jedenfalls denkbar nahe

NZZ, 18.02.2012, Marianne Zeiger Vogt
Salome, Richard Strauss
Oper Zürich

»Den entscheidenden Anstoss erhält der Abend aber durch Nicola Beller Carbone als Salome. Nicht weil sie den Herren Zuschauern wie eine Exhibitionistin ihre Blösse zeigen darf, sondern weil sie ihre Partie entschieden expressionistisch auffasst – und stimmlich hat sie alle Möglichkeiten dazu.»

NZZ, 2.10.2012, Peter Hagmann
Salome, Richard Strauss
Oper Zürich

»In der Rolle der Carlotta Nardi konnte Nicola Beller Carbone mit ihrer samtiger Grundierung und der schönen Leuchtkraft ihres klaren und beweglichen Soprans überzeugen und dazu mit ihrer attraktiven Bühnenerscheinung auch schauspielerisch punkten.»

Der Opernfreund, 3.5.2013, Manfred Langer
Die Gezeichneten, Franz Schreker
Oper Köln

»Zahlreich auch grandios ausgestaltete Rollenporträts wie das der Gräfin La Roche (Nicola Beller Carbone)»

NZZ, 27.5.2014, Peter Hagmann
Die Soldaten, Bernd Alois Zimmermann
Bayerische Statsoper München

»También apreciamos mucho el trabajo de Nicola Beller Carbone, en el espléndido papel de la Condesa de la Roche, más largo, complejo e intenso de lo que pudiera parecer.»

El Codalario, 31.5.2014, Alejandro Martinez
Die Soldaten, Bernd Alois Zimmermann
Bayerische Statsoper München

»Nicola Beller Carbone mit prächtigem Gesang und überzeugendem Spiel das starke Profil einer Unzufriedenen.»

Rhein Main Taunus Online Magazin, 17.9.2014, Britta Steiner-Rinneberg
Die Frau ohne Schatten
Staatstheater Wiesbaden

»Nicola Beller Carbone verkörpert die Färberin überzeugend mit dunkel eingetöntem Sopran.»

Deutschlandfunk, 19.9.2014, Chistoph Schmitz
Die Frau ohne Schatten
Staatstheater Wiesbaden

»L’interprete eccelsa del repertorio straussiano, Nicola Beller Carbone nei panni di Diemut. Padrona assoluta della scena, dalla statura e dalla voce eleganti, si immedesima completamente nel personaggio.»

Il corriere musicale, 26.1.2014, Monika Prusak
Feuersnot, Richard Strauss
Teatro Massimo Palermo

»La grande, la belle, l’unique, la formidable Nicola Beller Carbone ne pouvait être un meilleur choix.
Inquiétante, d’un magnétisme puissant, elle entre entièrement dans le personnage dès la première mesure, telle une tigresse meurtrière sans remords car délivrée de ses inhibitions, l’enlève dans une sorte d’assomption vocale et théâtrale, domine sans peine les ambitus de sa partition et reçoit une ovation à l’aune de son talent: immense.»

Podcast journal, 27.4.2015, Christian Colombeaud
Lady Macbeth Mzensk Dimitrij Shostakowitsh
Opera de Montecarlo

.»Nicola Beller Carbone singt die Partie der Salome eindringlich. Sie bringt ihren Sopran modulationsreich und enorm stilsicher als Farbe ins Tutti ein, ihre Rolle entwickelt sie spannungsreich und geheimnisumwittert.»

 

Operapoint, 10.2.2015, Zenner
Salome, Richard Strauss
Oper Bonn

«La gran Beller Carbone: Hay personajes que le van como anillo al dedo y la gran duquesa de Gerolstein es uno de ellos. Da gusto ver a una actriz, escuchar a una cantante no siendo la mezzo que el papel exige y entenderla perfectamente en los diálogos hablados.»

Beckmesser, 16.3.2015, Gonzalo Alonso
La gran duquesa de Gerolstein, Jacques Offenbach
Teatro de la Zarzuela

«Esta fuè la noche de Nicola Beller Carbone omniprennete en el escenario mas de dos horas y media, la cantante desgranò el riquisimo muestrario de sus capacidades vocales….Interpretò pasajes de inmensa dulzura y tambien otros en los que increpò sin miramientos a hombres corpulentos …. supo encontrar el tono, la potencia y el color de la voz adecuados para cada ocasion ; la generosidad de su interpretacion vocal iguala la de su actuacion dramatica»

Opera Actual, 24.4.2016, Jaime Estapà
Lady Macbeth of the Mtsensk district, Dmitri Shostakovich
Opera de Montecarlo

«Nicola Beller Carbone gelingt eine zarte Darstellung von Orsinis schöner Frau.»

Klassikinfo.de, April 2017, Bernd Feuchtner
Bomarzo, Alberto Ginastera
Teatro Real

»La gitana Soleá consiguiendo un meritorio equilibrio entre el tòpico del texto y el dramatismo que, a pesar de ello, requiere el personaje…. requiere de una buena dosis de capacidad interpretativa, cosa que Nicola Beller Carbone ofreció sobradamente.”

Opera World, 29.11.2017, Jose Antonio Lacarcel
El gato Montés, Manuel Penella
Teatro de la Zarzuela

«Elle promène dans Yü Pei sa silhouette filiforme et élancée… Son chant est tout dans l’expressivité, plus que dans la démonstration, elle est une interprète avant tout et soigne les couleurs et les variations de l’expression, avec de jolis accents. Et quelle démarche en scène ! quelle figure ! Et quelle justesse!»

Le blog du Wandrer, 31.1.2018
Der Kreidekreis,Alexander Zemlinksy
Opèra de Lyon

«Elle exprimée avec une totale maîtrise vocale et une intelligence dramatique traduisant l’osmose la plus totale entre l’artiste et son personnage»

Webtheatre.com, 24.1.2018, Jaime Estapà
Der Kreidekreis, Alexander Zemlinsky
Opèra de Lyon

«Ihre Stimme ist stark, aber schön und kontrolliert. In ihrem Auftritt vermittelt sie all die Erotik und Sinnlichkeit, welche die Figur ihr abverlangt.»

Der Classic Blog, 31.3.2018, Charles E.Ritterband
Parsifal, Richard Wagner
Tiroler Festspiele Erl

«Nicola Beller Carbone…..Su prestancia en escena son sólo comparables con la potencia y calidad de su voz, rica en armónicos y con un fiato extraordinario, que le permitieron desarrollar perfectamente ambos papeles, particularmente en la segunda ópera, en la que se le exigen versatilidad artística y unas condiciones físicas que no desmerecían de las vocales.»

 

Operaworld 5.12.2018, Gonzalo Roldàn Herencia
Der Diktator, Ernst Krenek / Der Kaiser von Atlantis, Viktor Ullmann
Teatro de la Maestranza 2018

«La soprano alemana Nicola Beller Carbone puso a disposición del papel de Eurydice unos medios vocales de mayor peso de los habituales, en los que la densidad del registro medio aportó una nueva dimensión a la particella»

La voz del sur 19.1.2019, Joauqin Piñeiro
Orphèe et Euridice, Christoph Willibald Gluck
Teatro Villamarta Jerez 2019

«Nicola Beller Carbone spuckt ihm Kundrys “ich will nicht” vor die Füße. Beller Carbone ist eine blendend schöne Kundry, ist dunkle Verführung in der Stimme.»

SZ, 30.3.2018, Egbert Tholl
Parsifal , Richard Wagner,
Tiroler Festspiele Erl 2018

«Nicola Beller Carbone…..Su prestancia en escena son sólo comparables con la potencia y calidad de su voz, rica en armónicos y con un fiato extraordinario, que le permitieron desarrollar perfectamente ambos papeles, particularmente en la segunda ópera, en la que se le exigen versatilidad artística y unas condiciones físicas que no desmerecían de las vocales.»

Operaworld 5.12.2018, Gonzalo Roldàn Herencia
Der Diktator, Ernst Krenek / Der Kaiser von Atlantis, Viktor Ullmann,
Teatro de la Maestranza 2018

« La soprano alemana Nicola Beller Carbone puso a disposición del papel de Eurydice unos medios vocales de mayor peso de los habituales, en los que la densidad del registro medio aportó una nueva dimensión a la particella »

La voz del sur 19.1.2019, Joauqin Piñeiro
Orphèe et Euridice, Christoph Willibald Gluck
Teatro Villamarta Jerez 2019
LIBERAinCANTO